I Vampire Rodents sono stati un gruppo musicale statunitense di genere industrial e rock sperimentale. Nei loro brani, eseguiti da cantanti diversi, i testi sono scritti in 4 lingue (inglese, latino, tedesco, cinese) ed usano dei metodi compositivi particolari: la Sample-Based Composition e la Linear Time Graph Notation. Vampire Rodents' 'lullaby land' was set in a Freudian nightmare and that nightmare played at double speed in a very chaotic theater. Clockseed (1995) added more instruments of the orchestra and more drum-machines, and offered a more linear, rational and focused take on the same idea. View credits, reviews, tracks and shop for the 1993 CD release of Lullaby Land on Discogs. Label: Re-constriction Records - REC-008. Format: CD Album. Country: US. Genre: Electronic. Style: Industrial. Vampire Rodents – Lullaby Land Label: Re-constriction Records – REC-008 Format: CD, Album Country: US Released: 1993. Listen free to Vampire Rodents – Lullaby Land (Trilobite, Gargoyles and more). Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.fm. Find Vampire Rodents discography, albums and singles on AllMusic. Find Vampire Rodents discography, albums and singles on AllMusic. Lullaby Land: Re-Constriction (0) 1995: Clockseed: Re-Constriction (0) 1996: Gravity's Rim: Fifth Column (0) 1 / 5. Alicia Keys Has Self Doubts.
| Lullaby Land | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | October 25, 1993 | |||
| Recorded | 1992 – 1993 | |||
| Genre | Industrial rock, sound collage, electro | |||
| Length | 73:00 | |||
| Label | Re-Constriction | |||
| Producer | Vampire Rodents | |||
| Vampire Rodents chronology | ||||
| ||||
Lullaby Land is the third studio album by Vampire Rodents, released on October 25, 1993 by Re-Constriction Records.[1] The album utilizes strings, horns, and timpanis backed with industrial music tropes.
Music and lyrics[edit]
Daniel Vahnke's lyrics focus on topics such as referring to the UN is a genocide monitor, daring Muslims to nuke Belgrade, cattle drive-by shootings, and 'the only good Nazi is a dead Nazi'.[2] The album has much more emphasis on guitars than either of their previous releases, while retaining their usual sound.
The tracks 'Trilobite' and 'Nosedive' were made in collaboration with 'electronic junk punk' band Babyland and was first released on the Rivet Head Culture compilation under the band name Recliner. This collaboration would continue throughout the Rodents career.
Reception[edit]
Lullaby Land has been well received by critics, some even considering it among the greatest industrial albums ever recorded. Exclaim! called it their best work, saying 'these folks can turn collage into counterpoint the way only masters of the avant-garde have done; Zappa comes to mind for those old enough to remember the delirious metamorphoses on Absolutely Free.' Aiding & Abetting also gave it a positive review, saying 'layer upon layer of samples and instruments combine into an almost symphonic orgy of sound.' and compared it favorably to Public Enemy'sFear of a Black Planet.[3]Keyboard said 'Unlike the single-mindedness of death metal (which has some of the terroristic sounds and voices), this music offers more color and intellectual possibilities. But it also has industrial music's sense of intensity.'
Much was said about the eclecticism of the music, with i/e praising the band for pushing the boundaries of industrial music, saying 'with no repeated chorus rhymes and musical riffs, they forge ahead, staying away from stale techno and industrial treachery' and that 'nobody creates the different moods and emotional states that the Vampires create.' Buzz (magazine) agreed, saying 'The Rodents have scoffed at conventional song formation and continue to do so, incorporation cello and violin into a deranged stew that sounds something like Robocop dismembering an orchestra. Off the beaten path as far as electronic music goes: you can dance, but these guys force you to think, too.' RIP also praised the variety of the album, saying 'Lullaby Land is a seething cauldron on cello (!), guitar, live percussion, and a very eccentric repertoire of samples that often implode into a 1000 points of noise,' concluding that 'I was particularly taken with the moody ambience of Akrotiri and propulsive density of Bosch Erotiqe.'
The oppressive atmosphere of the album was also subject to praise, with Welcomat describing the music as 'a merciless castigation of contemporary society' that 'unfolds against a gothic backdrop and laments the strangle hold materialism, rudeness and decadence have on society.' Gear credited the band with creating a cinematic experience with their music, saying they 'want to create classic horror movies and are using music, not film, as their medium. Bypassing the too easy and predictable formula of blood and screams, the Rodents' vision involves nail-biting strings, don't-open-that-door horn blasts, bump-in-the-night drum beats, and mortuary vocals to provide a chair-arm gripping listening experience.' Plazm noted that 'it would be really hard to compare this to anything. There's just this strong emotional power that this band has through their music and leaves me dumbfounded to describe this piece of art to the fullest way.'
Track listing[edit]
All lyrics are written by Daniel Vahnke, except where noted; all music is composed by Daniel Vahnke, except 'Passage' by Victor Wulf and 'Piano Trio No. 2 in E-flat major, Op. 100, D. 929' by Franz Schubert.
| No. | Title | Lyrics/Vocals | Length |
|---|---|---|---|
| 1. | 'Trilobite' | Dan Gatto | 4:45 |
| 2. | 'Catacomb' | 4:05 | |
| 3. | 'Crib Death' | 4:23 | |
| 4. | 'Dogchild' | 3:26 | |
| 5. | 'Gargoyles' | Pall Jenkins | 3:54 |
| 6. | 'Grace' | 4:34 | |
| 7. | 'Tremulous' | 0:55 | |
| 8. | 'Glow Worm' | 2:25 | |
| 9. | 'Lullaby Land' | Jared Louche | 3:06 |
| 10. | 'Dervish' | 3:57 | |
| 11. | 'Scavenger' | 5:08 | |
| 12. | 'Exuviate' | 5:13 | |
| 13. | 'Akrotiri' | 4:13 | |
| 14. | 'Toten Faschist' | 2:27 | |
| 15. | 'Nosedive' | Dan Gatto | 3:09 |
| 16. | 'Bosch Erotique' | 2:19 | |
| 17. | 'Hubba Hubba' | 1:48 | |
| 18. | 'Cartouche' | 1:55 | |
| 19. | 'Awaken' | 1:46 | |
| 20. | 'Raga Rodentia' | 5:45 | |
| 21. | 'Passage' | 3:39 |
| No. | Title | Lyrics/Vocals | Length |
|---|---|---|---|
| 1. | 'Trilobite' | Dan Gatto | 4:45 |
| 2. | 'Gargoyles' | Pall Jenkins | 3:54 |
| 3. | 'Grace' | 4:34 | |
| 4. | 'Dogchild' | 3:26 | |
| 5. | 'Crib Death' | 4:23 | |
| 6. | 'Catacomb' | 4:05 | |
| 7. | 'Glow Worm' | 2:25 | |
| 8. | 'Lullaby Land' | Jared Louche | 3:06 |
| 9. | 'Tremulous' | 0:55 | |
| 10. | 'Scavenger' | 5:08 | |
| 11. | 'Exuviate' | 5:13 | |
| 12. | 'Dervish' | 3:57 | |
| 13. | 'Akrotiri' | Dan Gatto | 4:13 |
| 14. | 'Toten Faschist' | 2:27 | |
| 16. | 'Bosch Erotique' | 2:16 | |
| 17. | 'Hubba Hubba' | 1:48 | |
| 18. | 'Cartouche' | 1:55 | |
| 19. | 'Awaken' | 1:46 | |
| 20. | 'Raga Rodentia' | 5:45 | |
| 21. | 'Passage' | 3:39 | |
| 22. | 'Lullaby Land II' | 3:10 | |
| 23. | 'Piano Trio No. 2 in E-flat major, Op. 100, D. 929 (Variation on Schubert)' | 2:28 | |
| 24. | 'Numbing Device' (V. Rodents' Mix) | Mark Deadrick | 2:59 |
| 25. | 'Nosedive' (Alternate Master) | Dan Gatto | 3:09 |
| 26. | 'Bosch Erotique' (Alternate Master) | 2:19 |
Accolades[edit]
| Year | Publication | Country | Accolade | Rank | |
|---|---|---|---|---|---|
| 2011 | Ondarock | Italy | 'Rock Milestones' | * | [4] |
| '*' denotes an unordered list. | |||||
Personnel[edit]
Adapted from the Lullaby Land liner notes.[5]
Vampire Rodents
- Andrea Akastia – cello, violin
- Jing Laoshu – percussion
- Daniel Vahnke(as Anton Rathausen) – lead vocals, sampler, guitar, musical arrangement
- Victor Wulf – synthesizer
Additional musicians
- Marc C. Bennet – electric guitar(3, 14)
- Dan Gatto – lead vocals(1, 15)
- Pall Jenkins(as The Sandman)[6] – lead vocals (5)
- Jared Louche – lead vocals (9)
Production Asa active/standby failover check - Cisco Community.
- Joan McAninch – mastering
Release history[edit]
| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| United States | 1993 | Re-Constriction | CD | REC-008 |
References[edit]
- ^'Lullaby Land'. Allmusic. Retrieved July 9, 2015.
- ^'Vampire Rodents/Ether Bunny Interview 2007'. themindofmicrowaved.blogspot.com. June 2007. Retrieved July 9, 2015.
- ^'Vampire Rodents: Lullaby Land'. Aiding & Abetting (45). November 30, 1993. Retrieved July 9, 2015.
- ^'Ondarock - Rock Milestones'. Ondarock. Retrieved 2010-05-02.
- ^Lullaby Land (booklet). Vampire Rodents. San Diego, California: Re-Constriction Records. 1993.CS1 maint: others (link)
- ^Dougherty, Julie (1992). 'Gear Interview'. Gear. Archived from the original on February 2, 1999. Retrieved July 12, 2015.CS1 maint: unfit url (link)
Vampire Rodents Lullaby Land 1933
External links[edit]
- Lullaby Land at Bandcamp
- Lullaby Land at Discogs (list of releases)
Some songs go a bit further in quality like: 'The Night Before' which provides a speedier sound to song, 'Ticket to Ride' is mellow and relaxing, 'You're Going to Lose That Girl' is jumpy and energetic. But their best song 'Yesterday' is heartfelt and warming but also tragic in nature, the ambient bleakness of McCarthy's vocals and guitar is something work analysing after a satisfying listen to. Help! is by no means a original work, a masterpiece of modern art but what it is instead an album that has been push to the best of its efforts.